That’s a question about creativity raised by the film “Starting Out in the Evening.” It follows an aging and mostly forgotten literary novelist who is forced from his routine when a young graduate student enters his life, ostensibly to research her thesis. It is a wooden and stilted film with some (mostly) unintentional awkward moments, [...]
Read it all...Any story needs a sense of place. This is what keeps a narrative from happening inside of a void. A sense of place is different from setting. Setting is merely a point on the globe. A backdrop. A sense of place has sights, sounds, smell, dirt that feels a certain way when crumbled in your [...]
Read it all...My daughter was watching a show on PBS about a dog who travels through time. It worked on multiple timelines with several threads weaving the overall narrative. A pretty complex structure for a kid’s show, or so I thought. I paused by the television on my way to the kitchen for an espresso and she [...]
Read it all...How do you make money telling stories? Thousands of MFA students ask themselves that question, usually starting a few weeks after graduation when reality sets in and you find out the world isn’t really that much different than it was when you were sitting in a circle reading from a fistful of laser paper. You’ve [...]
Read it all...When you first start writing scripts, one of the great liberating experiences is the ability to start a scene with something like this: EXT. PARIS STREET – AFTERNOON Smith steps to the curb and hails a cab... And then, you can follow up with the next scene, with a quantum leap: EXT. SEASIDE CAFE, HAVANA [...]
Read it all...SUN-SPARKLE ON whitecaps, stiff onshore breeze pushing the smell of rotting kelp and turtle grass off of the beach, massing clouds on the horizon dark and promising rain: this was the backdrop to the girl on the day that things changed. I watched her over the top of my book and over the rims of [...]
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