Archives for category: Films

Roger Ebert’s voice roars louder than ever, this despite the fact that he can no longer talk. I’ve been reading his blog with added interest since thyroid cancer rendered him unable to to speak. Maybe his blogging has gotten better and grown more frequent now that it’s his main outlet to speak to the world.

Ebert is so much more than a film critic. He’s a journalist and writer, an unabashed middle western liberal voice in an age when most progressives consider activism to be making excuses for Obama, car pooling, taking those easy potshots at morons like Bush and Palin or shopping at Whole Foods.Ebert’s latest post on the film Insider Job is filled with his even handed contempt for what’s been happening in Washington since Reagan:

It is easy to say Republicans oppose financial reform, because they do. But too easy to say Democrats support it, because they hold back from meaningful reform. Their measures amount to pissing on a forest fire.

The film is an expose about the “Masters of the Universe” on Wall Street who encouraged bad debt, betting against their own customers to enrich themselves, and consequently drove the world into a financial crisis that we may feel the effects of for the balance of my life.

Ebert, even voiceless, is louder than ever. He’s smart, angry and passionate about film. And he’s a decent guy. I used to work in an office across from the television studios where he did his show with Gene Siskel. During the opening credits, Ebert was seen wandering the streets of Chicago giving a thumbs up and a smile to random passers by. This wasn’t some affectation for the cameras. I passed him several times in the busy streets, and he shared it with me.

Now that the rain clouds have lifted (at least temporarily), I’m reminded of some of the perks of living in Oregon.

What fascinates me most about the film City of Lakes isn’t it’s gorgeous photography or vibrant locations. It isn’t even the fact that it was filmed with Canon DSLRs, my latest gadget infatuation, though I must admit it’s stunning to think of people producing feature films with an inexpensive prosumer handheld camera. The most interesting thing isn’t even the fact that I recently c0-directed a film about a wedding.

What’s most interesting to me is the blend of fiction and reality. The producers of this film used a real wedding as backdrop, and they wove actors and a fictional story into the periphery of this real event. It’s reality programming, but done with grace, elegance and storytelling.

This is where documentary meets fiction, and I hope it lives up to the promise of a new genre. Even if it doesn’t, it’s a fascinating idea. The guerilla filmmaking possibilities are endless. Imagine assembling actors and filming a scene with Obama’s inauguration as a backdrop. Or how about mixing some current ongoing phenomenon, say some of these protesting Tea Party nincompoops, into a fictional, scripted film that uses actors.

I love the new possibilities created by technology. I suddenly have so many ideas for a blend of documentary and fiction. And what helps make it possible is an inexpensive, portable system of producing big-screen quality footage that DSLRs provide.  Can’t wait to see what’s next. I hope I can somehow be a part of it.

Reached 100 pages on my newest writing project, Homeland. It’s a feature script set during Japanese American internment during WWII. Took me 17 days to reach 100 pages, which I did as part of the Script Frenzy event. I’ve probably got another 40 to go, which I hope to knock out in the balance of April.

It’s amazing how many folks, a lot of them young, who write recreationally as part of this program. I suppose there are plenty of screenwriters who would shrug this sort of activity off as amateurish, but I find it enjoyable. Plus it never hurts to have a deadline.Writing can be painful. It stings to use both sides of your brain in concert, struggling with a blank screen or the banality of a cliche-ridden draft you’re cranking out at warp speed.

But then storytelling is inherent in us as a species. We do it around meals, beer, cocktails, business lunches, on the phone or in 140 characters of SMS. Might as well capture in in Courier in feature film format.

The vast majority of the 20,000 people signed up to write a script in April won’t finish. Most of the finished scripts won’t be very good, mine included–at least until another dozen drafts of the material are completed.

Some of us might get lucky. Maybe I’ll option another screenplay or produce all or part of this on my own. None of that really matters, though, in the short term. Right now, I just have to finish this draft, stealing an hour here and there.

A Country Wedding will be showing this Saturday, March 13 at the Da Vinci Film Festival in Corvallis. Looking forward to finally seeing our hard work on the big screen, and a party with the cast and crew afterwards.

Country Wedding

We boxed up copies of the film for the cast and crew.

After my last post that warned against obsessing over technical details, here are a pair of short films that are both technically solid and have strong story elements.

The photography is stunning in both pieces. The first is shot with a newer DSLR, and the second, a previous generation SD camera.

These pieces are similar in their technical precision, but they’re quite different in the pacing of their editing.

Nocturne from Vincent Laforet on Vimeo.

SIMILO teaser from Macgregor on Vimeo.