27th May
2009

johnaugust.com Solid industry insight from the writer of Big Fish and Charlie and the Chocolate factory; this blog is an ideal blend of real information delivered with personality and opinion; John’s enthusiasm for the craft is infectious, and his honesty is refreshing. sellingyourscreenplay.com Though the title of this one seems rather mercenary, and the site’s [...]

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23rd May
2009

Have you sent your scripts off to the Nicholl Fellowships for the year? Are you working on your next feature project? Are you trying to learn how the business works from the outside? If you answered yes to any of the questions above, you’re probably still in learning mode. Most screenwriting bloggers recommend moving to [...]

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28th March
2009

My daughter was watching a show on PBS about a dog who travels through time. It worked on multiple timelines with several threads weaving the overall narrative.  A pretty complex structure for a kid’s show, or so I thought. I paused by the television on my way to the kitchen for an espresso and she [...]

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17th March
2009

I’m still thinking about last week’s excellent New Yorker article on screenwriter/directory Tony Gilroy. What sticks in my mind is the notion of “the reversal.”  According to the article, this is a well-used film convention. I’ve never heard the term, but then I didn’t go to film school and I’ve never read any books on [...]

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20th December
2008

I’ve been doing this screenplay thing for a few years, and I’ve always sworn off the whole notion of screenwriting software. I thought it would needlessly complicate things. After all, a script is just letters…black toner on white paper.  Nothing too fancy about it. I’ve written all of my scripts so far in Word.  I [...]

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23rd November
2008

As I sit here in a coffee shop, ostensibly finishing my next script, I find myself pondering the dynamic of writing in public. I recall being in a cafe a few years ago. It was connected to the local brew-and-view, and it was a place where movie-types hang out. A kid was hacking away right [...]

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